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The MPA1 SOLO SDI providing monitoring of SDI, AES, Analogue sources in a lightweight compact form factor. TSL is also responsible for monitoring of baseband signals in the OB. TSL hardware and software panels are managing and controlling production devices from over 10 different manufacturers including Nevion audio router, Ross Carbonite vision mixer, Calrec audio mixer, and PTZ cameras. It features TSL control systems at its core. UHD2, a 4K HDR OB was complete in the winter months of 2020, and has been used in several different productions since. It is built with flexibility in mind, so it can be used in a one-man production to larger productions with up to 10 camera chains. Kameraproduksjon have their own OB bus wrapped in a compact trailer – the UHD2. Kameraproduksjon AS, established in Norway in 2015, are technical suppliers of OB and multi-camera services nationwide. KAMERPRODUKSJON USING TSL CONTROL SYSTEMS AT ITS CORE FOR THEIR OB PRODUCTIONS TSL Products Purchasing Terms and Conditions.TSL Products Sales Terms and Conditions.Streamline On-Air Production Across Station Groups.Solutions for Outside Broadcast Ebook Landing Page.Integrating the MPA1 Audio Ranger with SNMP.An “NTSC” Solution for Outside Broadcast Operators.Measuring and Maintaining Loundess with the SAM-Q.Case Study: Getting Control of Hybrid Facilities.TJ Sports works with TSL to create eSports glory.Ease the Pressure of Live Sports Production.Control from Home – TSL Shifts R&D Resource to Support US Network Stations.The Business Case for Broadcast Control.System Control at the Intersection of Broadcast, IT and COTS.Guide to Audio Monitoring: A Leap Forward For Loudness.Guide to Audio Monitoring: AMU Control and the need for Interoperability.Networked Audio: PTP - Keeping Time In The IP World.Conformance levels in Audio over IP networking.The Carbonite supports TSL and UMD as well and those can be configured from the add device menu. Ross is like Grass in that tally is usually configured across several different sub-menus on different pages, the "Tally" menu is only one of them. Tally can be a a real pain to troubleshoot because it can be connected correctly but the logic isn't correct so it doesn't trigger. Not to say that the GPIO doesn't need to be configured correctly so here are those links.īeyond that the On-Air status of each input must be correctly configured so that it sends voltage when it's supposed to. Apparently the fiber converter piggybacks the tally (and com) data on the ANC data portion of this signal for camera control. If you read down to the bottom of the following link Gary Adams states that there must be video present on the 1st input of the fibre converter even if you are not using an Atem. I believe the GPIO pins can be configured to output tally information with a high level of 5V and low of 0V, so it's possible you could use this as an alternative to the dedicated tally port.
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It seems like most of the Carbonite switchers also have GPIO ports that are separate from the dedicated tally outputs. Since the Studio Fiber Converter expects a 5-24V input to indicate when tally is active, you'll probably have to provide a voltage source in this range to get things to work (along with a pull-up or pull-down resistor depending on how you wire things). Many of the Sony CCU units work with a simple contact closure input so they could probably be wired directly to the Carbonite's tally output. Looking at the Ross Carbonite documentation it seems like the tally port just works using contact closures, so the individual tally pins are connected to the common pins when the tally is active and disconnected otherwise. Are you sure that the tally connections of the Ross Carbonite are passive? It seems like the switcher has to do the signaling, so I'm not sure how it can just passively wait for signals from another device.